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Fox Hunting-subject Large & Remarkable Needlework Picture of


Fox Hunting-subject Large Needlework Picture

of "The Duke of Kingston Going a Setting at Thoresby,"

Signed & Dated by Hannah Aulerts 1792.


After a painting by Pieter Tillemans, in the collection of Earl Manvers at Thoresby Park, Nottinghamshire.


Dimensions:   Unframed Sight size: 20 1/4 inches x 29 1/4 inches.


Reference:

(https://www.donaldheald.com/pages/books/5252/after-peter-tillemans/a-view-of-his-grace-the-duke-of-kingstons-house-at-thoresby-with-his-grace-attendants-going-a-setting)

After Peter Tillemans,  (1684-1734);

A view of his Grace the Duke of Kingston's house at Thoresby, with his Grace & attendants going a setting.  circa 1770;  Line engraving, by Pritchard.


This is a reduced version of a view (on two plates) published (according to Siltzer) by Sayer with an image area of 28 1/2 x 16 inches. Peter Tillemans "came to England from Antwerp in 1708. His first commissions were to paint topographical views... Each required figures to give life to the well-painted landscapes and what was more natural than to show some of the people mounted... his large and busily populated pictures of Newmarket Heath have considerable charm. The influence of his friend John Wotton is most pronounced in his horse portraiture while his compositions owe something to Francis Barlow. Tillemans' patrons included all the principal race-horse owners of the period... He must have known Newmarket well, already established as the home of the turf... Tillemans' influence on later sporting artists is considerable... The engravings after his Newmarket paintings provide a fascinating record of training and horse management when the turf was developing quickly in the hands of the aristocracy of the period." (Charles Lane British Racing Prints p.173)


Mellon British Sporting and Animal Prints p. 187; Schwerdt III, p124; cf. Siltzer p.274 (large version only).


Evelyn Pierrepont, 2nd Duke of Kingston-upon-Hull (1711-1773)

Evelyn was the only son of William Pierrepont, Earl of Kingston. He was styled Earl of Kingston 1713-15, and Marquess of Dorchester 1715-26, before succeeding his grandfather as 2nd Duke of Kingston-upon-Hull in 1726.


He was sent to Eton in 1725, and the following year went on the Grand Tour, spending ten years on the Continent and becoming known for gambling and loose living. In 1736 he returned to England with his mistress, Marie-Thérèse de Fontaine de la Touche, who became a British subject, and who remained with him until 1750.


The duke had little interest in politics and did not take any part in governmental affairs. However, he acquired several local offices, such as Master of the Staghounds North of Trent in 1738, and Lord Lieutenant of Nottinghamshire and Steward of Sherwood Forest 1763-65. He was invested as a Knight of the Garter in March 1740/1.


He took an active part in suppressing the Jacobite uprising in 1745, raising and becoming Colonel of his own Regiment, 'Kingston's Light Horse', which fought at the Battle of Culloden. He became Major General in 1753, Lieutenant General in 1759, and General in 1772.


Thoresby Hall was virtually destroyed by fire in 1745. The duke employed John Carr of York to design a new house, which was completed by 1772. He died in September 1773 in his other main residence, Holme Pierrepont Hall, upon which the title of Duke of Kingston-upon-Hull became extinct. He willed his estates to his wife for life; after her death in 1788 they passed to his nephew Charles Medows .


Engraved portraits of the Duke and his wife are available on the website of the National Portrait Gallery .

(https://www.nottingham.ac.uk/manuscriptsandspecialcollections/collectionsindepth/family/manvers/biographies/biographyofevelynpierrepont,2nddukeofkingston-upon-hull(1711-1773).aspx)







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